«Processing this [fine arts] material and giving it form requires a talent that is academically trained, so that it may be used in a way that can stand the test of the power of judgment.  -- Immanuel Kant, Analytic of the Beautiful in Critique of Judgement (1790)

« Since time immemorial innumerable are the commandments about the beautiful. Whole kingdoms, whole civilizations were built by this great ordainment. To beautify, to ennoble, to uplift life means to reside in the good.» – Nicholas Roerich, Beautiful Unity

Apotheosis is a large painting that is part of the Slav Epic (Slovanská epopej) , a collection of 20 paintings by Alfons Mucha, one of the leading artists of the Art Nouveau movement. Mucha is widely known for his decorative and charming poster-like advertising illustrations and paintings, but few people are aware of the impressive breadth of his artistic talents. Beyond these cheerful vintage marketing works for the public, the Czech artist is one of the last master painters to elevate the classical genre in the 20th century.

« Since time immemorial innumerable are the commandments about the beautiful. Whole kingdoms, whole civilizations were built by this great ordainment. To beautify, to ennoble, to uplift life means to reside in the good.» – Nicholas Roerich, Beautiful Unity

Cet entretien limpide avec David Capps, philosophe et poète auteur de "Silence Divine", a renouvelé ma foi d'éditrice. Oui, dans le noir, il y a encore des perles lumineuses (et rares, donc). En pensée et Parole claires, nous avons traversé bien des contrées obscures. Des vertus créatrices du griffonnage aux sempiternelles questions du génie et de la séparation entre l'homme et l'artiste, nous sommes passés par l'importance de la tradition en philosophie et en littérature. Chemin faisant...

In the midst of 30 podcast episodes and the hum of my own thoughts, I rediscovered the joy of engaging in lofty conversation. Joining philosopher David Capps in dialogue renewed my editor’s faith in discovering rare pearls amidst the chatter. Our discussion ranged from the unexpected creative value of doodling to the perennial questions of genius, distinguishing the human from the artist, and the importance of tradition in thinking and writing.

Myra Dunoyer Vahighene emerges as a visionary storyteller and fervent advocate for Africa, driven by an unwavering determination to unveil its rich cultural and historical tapestry. Beyond mere activism, Myra's eclectic journey serves as both a challenge and an inspiration, prompting us to reevaluate our own notions of success and self-worth—a cornerstone of the artist's persona.

Ambassadrice énamourée de l'Afrique et conteuse visonnaire, Myra Dunoyer Vahighene est déterminée à révéler toute la richesse culturelle et historique de ce beau continent. Par delà-l’engagement militant, son parcours éclectique interpelle, inspire, et questionne notre propre rapport à la réussite et à l’estime de soi, composante fondamentale de la personnalité de l’artiste.

Should poets write dedications today, or is it an outdated practice, a relic of the past, an archaism? The answer does not revolve around their perceived obsolescence. These ancient texts, enriched with dedications, have transcended time, becoming literary and spiritual canons. Those of us fortunate enough to have received an education in classical and religious literature still marvel at them.