Murielle Mobengo is an editor, poet, painter and cultural convener working at the intersection of art, philosophy and cultural transmission. She is President of the Institute for Africa–West–East Cultural Convergence (AWE), founder and Editor-in-Chief of Revue Révolution, and Executive Director of L’Atelier Révolution.
Through L’Atelier Révolution, she works with museums, foundations and private collections to research, interpret and transmit artistic and intellectual legacies through editorial and curatorial projects.
In 2026, she led the editorial and narrative development of Primordial America, a centennial exhibition project at the Nicholas Roerich Museum in New York, bringing together the Museum’s archival history and works from the private collection of curator Dmitry Popov. The project extended beyond the exhibition through its publication, institutional communication and public engagement.
She is also the creator and moderator of Polymath Evenings, a series of conversations bringing poets, scientists, philosophers, and artists into dialogue around fundamental questions of creativity, knowledge and cultural transmission.
Across her editorial practice, writing and painting, Mobengo’s research examines beauty, genius, polymathy, non-duality, and the cultural conditions through which artistic work acquires meaning and endures.
She also speaks publicly on the role of poetry, art and cultural institutions in shaping individual and collective life.
Murielle Mobengo holds a Master’s degree in Trilingual Translation from Université Paris-Est Marne-la-Vallée and a BA in Philosophy and Theology from Université Catholique de Lille, with a focus on German phenomenology and the philosophy of art.
Born in Bordeaux, France, and of African descent, she speaks French and English, as well as Lingala and German, and studies Sanskrit.
Her visual work is developed under the name Ellébore Guimon.
She lives in New York.